This August 2018, I began physical research into a piece on dance ecology and cultivation which was shown at Norte Maar’s Dance at Socrates festival in New York City. The dance was performed to Arvo Part’s Fratres and Wendell Berry’s beautiful articulation in poetry, History. Below is a bit about my current process:
I am improvising now. Mostly solo work in intentional landscapes but at times, with other movers as well. Improvisation sounds simple. “Just make it up!”, right? But the action of improvisation that I aspire to, comprises less of making it up and more of listening to the movement urges coming from my charged, expressive body. After forty years of intentional cultivation through repertory, my physical form, musicality, and spatial sense are all poised to conduct improvisation, to mine the moment and discover action through relational choices that my body-mind, mind-body is making.
The pictures and video attached were taken by Steven Speliotis and Reiko Yanagi.
★ SPECIAL EVENT! In Conversation with Blakeley White-McGuire
An evening in conversation with Blakeley White-McGuire, former star of the Graham Company and author of The Martha Graham Dance Company: House of the Pelvic Truth. Through a series of insightful interviews, this book illuminates the ongoing significance of Martha Graham and her eponymous dance collective.
In a discussion led by Artistic Director Janet Eilber, Ms. White-McGuire will be joined by some of the Company alumni interviewed for the publication including some who worked with Martha Graham herself.
Monday, July 11 at 7:00pm
Martha Graham Studio Theater
55 Bethune Street NYC
FREE – RSVP HERE
Devotion (2021) commissioned and performed by Axelrod Contemporary Ballet at Bell Works, NJ. Original score by Chris Becker played live by the Axelrod Chamber Musicians.
This dance was the first group piece that I made live during the pandemic.
It was also the first public performance by these beautiful dancers in over a year and a half. Inspired by the resiliency of the performing arts community, “Devotion” is just that – dance as a devotional practice.
🌟 Meet our Artist-In-Residence, Blakeley White-McGuire! @blakeleyangel 🌟
A critically acclaimed principal dancer with the Martha Graham Dance Company (2001-2016, 2017), White-McGuire is a New York-based dance artist, writer, and educator. During her residence with the Loyola Dance Program, she will teach Graham technique and stage two excerpts from “Sketches from Chronicle” titled Steps in the Street and Prelude to Action for the Fall Mainstage Dance Concert.
✨ Read more about White-McGuire on the LUC Dance Program website (link in our bio)! ✨
Nevertheless, She Persisted will premiere at the Newhart Family Theater on November 18-21, 2021. In-person tickets are available for Loyola students and faculty, and livestream tickets are available for all audiences. 🎟️ Ticket link in our bio!
Join the conversation #newyorkersfordance #DanceForEveryChild @DanceNYC
Leadership: Jody and John Arnhold, New York City Department of Cultural Affairs, New York State Council on the Arts, National Endowment for the Arts.
Video by Nel Shelby Productions. Music by Andy Kautz. Graphic Design by Monroe&Co.
Movement Migration is a collective of seasoned dance artists collaborating to create and perform dynamic and poignant dance works that portray the depths of the human experience; the dances are shared with audiences locally and globally in performance and educational venues. It is a joy to be in the company of these people. It is just the beginning.
This summer I was awarded a commission by MM’s Aritstic Director, Kim Jones. The new work for five dancers titled, Lullaby: the stories we tell was set to the music of American composer Mark Lewis with costumes by Wendy Yang. The dance premeired at Italy’s DAP festival to audience acclaim. The experience of working with this collaborative collective was joyful and generative. Thank you for your support and inspiration Movement Migration!!